About the Exhibit
“Impressionism to Modernism: Masterworks of Early Photography” celebrates an intrepid group of photographers at the turn of the 20th century on both sides of the Atlantic who fought to establish photography as a full-fledged art form. Their leader was Alfred Stieglitz, whose exhibition space, the “Little Galleries of the Photo-Secession,” and exquisitely printed magazine, “Camera Work,” advanced the vision of the most ambitious artist-photographers, including Heinrich Kühn, Gertrude Käsebier, Edward Steichen, and Clarence White, as well as Stieglitz himself.
This exhibit is drawn from the private collection of Michael Mattis and Judith Hochberg. The exhibit also covers the explosive aftermath of the Photo-Secession, when, starting with the work of Paul Strand in 1915-16, photography transitioned by fits and starts from Pictorialism to Modernism.
This event is made possible through grants by the Cumberland County Tourism Development Authority, the David & Helen Clark Art Museum Fund of Cumberland Community Foundation, Inc. and the Community Arts Endowment of Cumberland Community Foundation, Inc.
Thumbnails from the Exhibition
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